A velvet door, half-open, looking into a small booth lit by a single lamp
elsewhererooms.com

ELSEWHERE

Go anywhere.

Rooms that already existed. We rebuilt them.

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The pitch

Everyone selling the next thing is selling you a future.

We sell the past. By the evening.

A booth at the back of the Green Mill, the night Capone walked in. A table at the Copa Room, the year Sinatra started doing it sober. A jazz cellar in Pigalle, the small hours, the trio still playing for themselves.

Real rooms. Real evenings. Released one at a time, like episodes you tell people about.

The shape of it

Not a platform. A series.

Each room is one evening. Released like episodes, kept like editions.

A Place

A room that actually existed. Rebuilt to the booth, the lamp, the year. We start with the great music rooms.

A Handful of People

You and three friends, in spatial audio. A bartender who knows your drink. A singer at the mic who never looks at the camera.

An Evening

End to end. A house band, then someone famous walks in. A cocktail. An encounter. Something you describe at breakfast.

Episode 1

The Sunset

The Green Mill. Chicago. 1928.

A booth at the back. The house band working their way through Royal Garden Blues. Around 11:40, the door opens and the room goes a little quieter.

A figure in a hat seen from behind on a rain-slicked Chicago street; the Green Mill neon sign glows green in the distance
A woman in a red dress glances over her shoulder, carrying a tray of coupe glasses

Every episode has one

A moment.

At 11:47, she walks past your booth. Slows. Glances over her shoulder. Leaves a coupe glass on the table and is gone.

The next morning, your friends will text you about it. That’s the test. That’s the product.

Episode 2

The Copa

New York. After the war. 1945.

Palm-leaf wallpaper, white tablecloths, a ribbon microphone on a chrome stand. The big band warms up. A thin man in a bow tie walks on, and the room forgets the war for forty minutes.

A table at the Copa Room, 1945 — coupe glasses, a man's hat, the stage and ribbon microphone behind

Episode 3

Le Caveau

Pigalle. Two in the morning. 1953.

A stone cellar that smells of Gauloises and red wine. A trio in the corner playing for themselves now that the tourists have gone home. The guitarist looks up, nods at you, and starts another.

A stone-cellar jazz club in Pigalle — old jazz posters on the wall, an acoustic guitar resting on a chair, a marble café table in the foreground

The season

Season One.

Three evenings. Three rooms. Released one at a time, the way good television used to be.

  • Ep. 01

    The Sunset

    The Green Mill · Chicago · 1928

  • Ep. 02

    The Copa

    The Copa Room · New York · 1945

  • Ep. 03

    Le Caveau

    A cellar in Pigalle · Paris · 1953

After the first three

Memphis on a Tuesday in 1954. Havana the night before everything changed. Harlem, the Apollo, the year Ella scatted Flying Home. A list of evenings the size of a century.

Three things, the wrong way round

Built on the opposite of what most of this category does.

  • Most of this category sells the technology.

    We sell the evening.

  • Most of it puts you with strangers.

    We put you with three of your friends.

  • Most of it is a back catalogue.

    We release like a television series.

The list

Be there for episode one.

A small list. You’ll hear from us when the door opens, and not before.

ELSEWHERE

Go anywhere.

Season One opens this year.

elsewhererooms.com